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VILLA MANIN -

A big retrospective with well-known and new works
CODROIPO
from Saturday, March 27, 2010 to Sunday, August 29, 2010

Description:
The three Basaldellas, Dino, Mirko e Afro, proposed all together in a big retrospective more than twenty years after the other retrospective dedicated to them by the Gallery of Modern Art of Udine in 1987. With the aim of updating it with everything new that has been discovered on them in these twenty years and with the presentations of some unpublished works by Afro. The exhibition “I Basaldella. Dino, Mirko, Afro”, strongly desired by the Friuli Venezia Giulia Region and by the Azienda Speciale Villa Manin is curated by Giuseppe Appella, Fabrizio D'Amico, Marco Goldin and organized by Linea d'ombra. The exhibition, directed by Marco Goldin, will try to synthesize three authoritatively and differently complex personalities through well-known works but also through very interesting works that have never been displayed to the public before.
The exhibition will follow the whole artistic life of the three brothers, from the beginning at the “Scuola friulana d’avanguardia” in Udine, to the years spent in Monza and in Milan, to those spent in Rome, where Afro and Mirko will settle, although with frequent and active stays in their homeland; and then, for all of them, to the years of maturity and to their late years. The exhibition, following a chronological order, will focus on the relations shared by the three artists, although in the emerging language specificities.
The exhibition will include works coming from some of the main public collections in Italy, among which those of the National Gallery of Rome, of the Gallery of Modern Art of Udine, of the Municipal Museum of Pordenone, of the Gallery of Modern Art of Turin, of the Vatican Museums, of the Bank of Italy, of the Municipal Gallery of Modern Art of Rome, of the Municipal Revoltella Museum of Trieste, of the Fondazione Cassa di Risparmio di Udine e Pordenone. Moreover, it will avail itself of the collaboration and of the loans coming from the newly set up Archivio Afro of Rome, and from many family or historical collections of the three Basaldella brothers, from which some precious unpublished works of the 1930s and 1940s by Afro will be borrowed.

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